I've updated my MUSINGS with journal entries from the residency project with Studio Grafis Minggiran.
Click on the image below to redirect you to the page.
I'm still updating the page, so please check back and be surprised by new content.
At the mean time, I have categorized the blog posts related to the Grafis Minggiran x Michy Witchy residency in this link - michywitchy.weebly.com/blog/category/grafis-minggiran-residency-x-michy-witchy
This is how the tinted resin looks over the sanded surface.
The liquid resin moves around and turns the sanded frosted resin clear to reveal the layers beneath once more.
The resin I poured last month was uneven to the stool's surface.
I did not know that the stool was actually warped.
Hence it had to be sanded down before the last pour.
The poster is out!
I'm humbled to have been invited to be part of this power packed gang of printmakers in the second installment of the Print Parade exhibition.
My recommendation is if you are in Yogyakarta in the next few days, to catch the closing of ArtJog 2016 on 27th June 2016 at 8.30pm at the Jogja National Museum. There will be special performances by Dubyouth and Liberteria.
Then stay for another day (28th June 2016) to check out Print Parade 2 held at Studio Grafis Minggiran, Gedong Kiwo, Mj. I/no.1001, which will open at 4.30pm.
The exhibition will run for a month and end on 28 July 2016.
We worked so hard together!
Here's an instagram photo from @grafis_minggiran :
I guess that means everyone's almost done with printing!
Cheers to everyone who is still in the studio tying up the loose ends and setting up the show.
I wish I can be physically there. Sending good vibes from Singapore!
I paid Weekend Worker ceramics studio a visit this afternoon.
Weekend Worker studio is located in a area that is tucked away from the city, leaving you with the time and space to bond with the therapeutic nature of clay work.
Chloe (1/3 of Weekend Worker), photographed here, is a lover of plants and ceramics. She was in the midst of repotting her plants into new pots she purchased from her recent trip to Chiang Mai.
While travelling, Ivan (2/3 Weekend Worker) and Chloe attended a natural dye workshop in Chiang Mai, which has inspired her to continue with her research and work with ceramics.
In turn, I brought along 2 of my plates from my stint at Grafis Minggiran in Jogja, to spread the word about the residency project. Chloe has always been keen to learn etching and she called the class to join us in this informal sharing session.
The studio was busy today and everyone went back to their wheels with Ivan.
Here are some photos of the studio and their table of hand thrown ceramics.
p/s: The beautiful ceramic toad stool behind me was made by Chloe for an exhibition at SingaPlural 2016 - it lights up!
'This is my last night with you...' has been crooning all over the radio while we worked for the past weeks. I never thought that it would really be the last night of my residency project here with the team behind Grafis Minggiran. These pictures were taken at about 3.41am. (My flight : 7.25am)
At this moment I had finally completed printing my editions for Print Parade #2 and Rully and Alfin continued to support me all the way as they laid out my work for signing and helped me with packing my prints.
Matur nuwun, Grafis Minggiran, for the kindness and hospitality that you have showered on me during my stay in Yogyakarta. It has been the most enriching experience working with all of you.
I am especially honored to have had the opportunity work with with skillful printmakers like Tape and Rully throughout the 17 days.
Tape and Rully has provided a nurturing environment for me to grow as a printmaker, with their professionalism, keen sensitivity to the medium, years of expertise and love for printmaking. They naturally assessed how to personalize their approach to conducting the two workshops through observation (sketchbook, gestures) and conversations, in order to spontaneously tailor make their approach to conducting the workshops suit my stubborn character.
They knew when to push and when to pull - in the process, they tore me apart, and put me back together once again. They gave me space to explore spontaneously, and to propose techniques to test out together, and encouraged me all the way. They cared. They believe in the process, appreciate the success of every print produced, and enlightened me to look at prints in a different light.
I am eternally grateful for them. This has made Tape and Rully one of the best teachers I have ever had, and in the course, impacted my life.
You know I really hate goodbyes, that's why I will be coming back!
See you all very soon.
This is the last batch of ink I would mix in the studio today...
...but this will not be the last print I will produce in Grafis Minggiran.
It has been the latest that I have stayed in the house since I set foot in Jogja (stayed till after lunch time!!!).
But I had to do what I had to do for the three musketeers of the studio that I have grown so fond of.
In the course, I got some help, and was also presented with a gift from my little friend.
I will really miss this spot that has been so conducive for me to work.
My plate needs a little fine tuning before it will be ready for proofing.
It must have ben the endog sticks that gave me strength to last this long.
The only problem besides the time factor, is that the paper that is to be used by all participants for Print Parade #2 has not arrived. Hence I continued to complete other unfinished business.
By this time, more artists frequent the workshop and take turns to use the press to create their printing poofs.
I love being in this studio where everyone takes pride in their work and are really serious about it. It was also really nice to see that everyone was enthusiastic about helping each other with giving advise and support.
Tape and Rully were very patient and did one-on-one guidance into the wee hours of the night for some artists who were unsure with the intaglio and alugraphy techniques.
It was a joy to witness everyone present in the workshop would take a moment from their inking/drawing/sanding of plates, in anticipation for the reveal of a print that someone was working on at the press bed, and later continue to give input on the print produced, as if surgeons on a delicate operation table, and then cheer each other on with each preceding print produced.
I continued to mix inks for more unfinished business before I called it a day.